The symphonic black metal trailblazer offers us a tour of his signature Okkultist, expresses a deep appreciation of W.A.S.P. and stakes out the limits of a musical education ...
You don't want to miss meeting the fast-talking traveling salesman, Harold Hill (starring Marriott favorite Bernie Yvon), as he cons the people of River City, Iowa into buying instruments and uniforms ...
For Wake Up Dead Man, the third film in Rian Johnson’s Knives Out series, Johnson says the movie has “a different tone and palette. It’s a little more gothic and moodier in its tone, so that defined a ...
Zane Lowe, the most important music interviewer working today, kicked his sneakers up onto his couch cushions and began to cry. For the previous two hours, I’d been asking the 52-year-old global ...
For Wake Up Dead Man, the third film in Rian Johnson’s Knives Out series, the tone and palette shift created a major change in how the cinematography was done. “The movie has a different tone and ...
After being trapped for four days, the man was located inside his home and taken to a hospital following communication through Morse code. Investigators seize luxury goods over alleged fraud Boy, 9, ...
MEMPHIS, Tenn. — Memphis is remembering a true music legend — Steve Cropper, whose unmistakable guitar work and songwriting shaped soul music, died Wednesday in Nashville at the age of 84. WREG took a ...
An architect of Memphis soul, Cropper made his guitar sing and sting. And as a songwriter, he collaborated on more than a few indelible anthems. By Jon Pareles Terse, taut and intrinsically bluesy — ...
Steve Cropper, the Rock & Roll Hall of Fame guitarist who helped form the “Memphis soul” sound on Stax Records recordings by Otis Redding, Wilson Pickett, and Booker T. & the M.G.’s, died today. He ...
As a member of Booker T. & the MG’s and as a producer, he played a pivotal role in the rise of Stax Records, a storied force in R&B in the 1960s and ’70s. Steve Cropper in 1973. His guitar licks could ...
When songwriter Stephen Schwartz sits at the piano, he feels the music. "When I was a kid and playing my Beethoven … I would play that bar over and over again, and cry. It's very embarrassing!