“Symphonic PFunk: Celebrating the Music of Parliament Funkadelic" will take over the Detroit Opera House on Jan. 31. The concert will cap three days of George Clinton celebration in Detroit. Other ...

Phew, tough crowd.

The Washington National Opera announced Friday that it will move performances away from the Kennedy Center in another high-profile departure following President Trump's takeover of the U.S. capital's ...

The Washington National Opera is leaving the John F. Kennedy Center for the Performing Arts, its home since 1971. Friday's news, shared with NPR in a statement via email from the opera company, comes ...

The Washington National Opera announced Friday that it plans to leave the John F. Kennedy Center for the Performing Arts, its longtime home, a stunning move that follows reports of declining ticket ...

The Washington National Opera decided Friday to move its performances out of the John F. Kennedy Center for the Performing Arts, abandoning the hall where it has played since 1971 in perhaps the ...

The opera, which has performed at the arts center since 1971, was concerned about declines in attendance and donations during President Trump’s second term. By Adam Nagourney The Washington National ...

WASHINGTON (AP) — The Washington National Opera announced Friday that it will move performances away from the Kennedy Center in another high-profile departure following President Donald Trump's ...

CARACAS, Venezuela (AP) — The Venezuelan government on Monday sought to show its people and the world that the country is being run independently and not controlled by the United States following its ...

This Thursday, Opera made Opera Neon, its experimental AI browser, available to the general public. Anyone can now subscribe for $19.90 per month without waiting on a list. Opera Neon is an agentic ...

Following a couple of months’ testing, Norway-based browser company Opera has finally made its AI-powered browser, Neon, available to the public — though you’ll have to shell out $19.90 per month to ...

In Steppenwolf Theatre’s “Amadeus,” running through January, Antonio Salieri is the villain. That play and its 1984 film adaptation repeated fictions that have tarred the composer’s reputation for ...