David Fincher, Quentin Tarantino and Once Upon a Time
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Once Upon a Time’s Lana Parrilla reflects on Regina Mills’ impactful arc and teases openness to a series reboot
Quentin Tarantino has revealed which of his films he thinks is best, which is his favorite and which one he believes he was "born to make."
In an exclusive clip from the podcast I've Never Said This Before, Lana Parrilla says she'd be open to returning to the series, echoing her costar Ginnifer Goodwin. Parrilla also reflects on how much her character Regina's journey changed her own life.
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Complex on MSNQuentin Tarantino Picks His ‘Masterpiece,’ His ‘Favorite’ Movie, and the One He Was ‘Born to Make'
As for his long-speculated swan song, The Movie Critic, Tarantino confirmed that the project has been officially scrapped altogether. The project was first teased in 2022 and began development as an eight-episode TV series, according to Variety, but Tarantino's interest eventually faded away as he didn't want to recycle ideas.
In one of the year's most unexpected cinematic twists, it was revealed back in April that David Fincher would be taking the reins on a sequel to the beloved film. Titled The Adventures of Cliff Booth, the film was originally destined to be Tarantino’s much-anticipated tenth (and possibly final) feature - until he shelved the script and moved on.
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Brit + Co on MSNLana Parrilla & Madison Iseman Spill 'The Rainmaker' Set Secrets & 'Once Upon A Time' Reboot Rumors
Ahead of 'The Rainmaker' coming USA on August 15, Lana Parrilla and Madison Iseman told Brit + Co's Chloe Williams about filming in Ireland, their 'Rainmaker' cast group chat, and their unique talents.
Birodh Singh’s apple orchards where he spent lazy afternoons, Mukesh Panwar’s hotel that was the village adda, the temple where villagers turned up for the evening aarti — Aiswarya Raj looks for stories that lie buried in Dharali,
Leonardo DiCaprio reveals his biggest career regret is turning down Boogie Nights for Titanic. While gearing up for major new films including Paul Thomas Anderson’s One Battle After Another, Martin Scorsese’s Roosevelt,