Caught by a fan on Twitter, Eggers teased, "It's a medieval werewolf movie. It's also the darkest thing I've ever written, by ...
Cinematographer Jarin Blaschke and production designer Craig Lathrop know better than almost anybody else what working with ...
Nosferatu’ Oscar nominees Jarin Blaschke and Craig Lathrop on their years-long collaboration with Robert Eggers and what comes next. The cinematographer and production designer have worked with Eggers ...
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Digital Camera World on MSNNosferatu: How Jarin Blaschke and Robert Eggers used Panavision lenses to get an Oscar nod for cinematographyJamie Foxx recently joined Vanity Fair for a video interview in which he looked back at a handful of his most iconic acting roles, including the title character in Quentin Tarantino’s “Django ...
Exclusive: Nosferatu's cinematographer chats about his second Oscar nomination, working with Robert Eggers for nearly 20 years, and how they banished a vampire’s shadow.
Nosferatu director Robert Eggers is currently developing a werewolf movie titled Werwulf , and it’s a film project that I’m ...
Perhaps it's no surprise that Robert Eggers works with so many of the same department heads on every one of his movies. "He's there raising the bar and raising the bar and raising the bar and raising ...
Perhaps it's no surprise that Robert Eggers works with so many of the same department heads on every one of his movies. "He's there raising the bar and raising the bar and raising the bar and raising ...
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Digital Camera World on MSNNosferatu has the best cinematography I’ve seen in a long time – here’s why it’s a film every photographer should watchI was in awe of Jarin Blaschke’s use of composition while watching Nosferatu, I’m not surprised it’s up for the Best Cinematography Academy Award ...
Cinematographer Jarin Blaschke suggests the director could transform an iconic monster with his next project, Werwulf ...
At the heart of this visual triumph is Jarin Blaschke, Eggers’ long-time collaborator and cinematographer, whose meticulous approach to the film’s look brings an authentic 1830s romanticism to ...
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