Take that first, nearly-40-year-old effort. As played by violinist Tessa Lark, cellist Joshua Roman, and Meyer—who, in ...

The James Burton-prepared TFC sang with tonal warmth and good diction. They brought vigor to bear on their various “laudate” ...

On Tuesday, Kissin imbued this section’s desolate turns of melody and harmony with soulful, almost bluesy, intensity. The ...

Nothing lasts forever, as Taylor Swift reminds us, be they relationships, careers, or music festivals. So it happened that the clock ran out Saturday on both the Boston Symphony Orchestra’s “Decoding ...

Composers can’t always be trusted to objectively assess their own works. However, William Walton’s appraisal of his Cello Concerto holds up: “It is to my mind the best of my three concertos,” he wrote ...

Nothing lasts forever, as Taylor Swift reminds us, be they relationships, careers, or music festivals. So it happened that the clock ran out Saturday on both the Boston Symphony Orchestra’s “Decoding ...

There’s nothing like an anniversary to encourage an orchestra’s programming. Take Andris Nelsons and the Boston Symphony Orchestra. Intent on marking the occasion of Dmitri Shostakovich’s death fifty ...

A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.

It’s no secret that Arnold Schoenberg admired Johannes Brahms. Less well-known is the fact that the latter reciprocated: shortly before his death in 1897, the man Schumann once dubbed the heir to ...