Seward analyzes Caravaggio’s religious work more closely , but even then his evidence is inconclusive. In David with the Head of Goliath, a young David holds up Goliath’s head. Seward suggests ...

Dark and shadowy, it depicted a biblical scene: namely, David perched over the decapitated head of Goliath ... century painter of the school of Caravaggio,” according to the Simon Gillespie ...