Next year will mark the 80th anniversary of the passing of Harlem Renaissance jazz pianist and composer Thomas “Fats” Waller. So it’s understandable if today’s audiences aren’t familiar with some of ...
The song “Black and Blue” has always been powerful. But as staged in Orlando Shakes’ production of “Ain’t Misbehavin’,” it carries a particularly somber weight. “Remember,” the number seems to say to ...
A classic song-and-dance show that’s often dismissed as a frothy revue shows its full force as a carefully constructed piece of deeply affecting musical theater in director/choreographer Jeffrey L.
The REV Theatre Company has announced the cast and creative team for the final production of its 2022 Season - Ain't Misbehavin'. Ain't Misbehavin' is a sizzling celebration of Fats Waller's music - ...
Opening our 2022-203 Season of Joy, we have AIN'T MISBEHAVIN'! The inimitable Thomas "Fats" Waller rose to international fame during the Golden Age of the Cotton Club and that jumpin' new beat, swing ...
(L-R) Paris Bennett, David LaMarr and Melrose Johnson in TUTS' production of Ain't Misbehavin'. Credit: Photo by Melissa Taylor A woman-dressed in a red feathered flapper hat and a red dress straight ...
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Ain't Misbehavin takes over West LA
Walking into the Nate Holden Performing Arts Center on Saturday night honestly felt comforting before the show even started.
“Ain’t Misbehavin’,” the classic revue now at The Rev, celebrates the legacy of Harlem Renaissance musical giant Fats Waller. The show tells us very little about the man himself in narrative, instead ...
The Opera House Theatre Co. in Wilmington is staging "Ain't Misbehavin'," a musical revue of songs by Thomas Wright "Fats" Waller. The show features a talented cast, including Joy Ducree Gregory, Kim ...
A joyous celebration of the music of Thomas “Fats” Waller, the Rubicon Theatre Company’s production of Ain’t Misbehavin’ — set in 1930s Harlem and a three-time Tony Award winner when it debuted on ...
“Ain’t Misbehavin’“ is a unique marvel of a musical. There is no plot. The narrative consists of maybe 30 or 40 spoken words. And performances of its 30-odd catchy songs — the newest of them 80 years ...
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